His ornaments are as simple as the snake around his neck and the leopard skin cloth around his waist, to the magnificent moon and stars. There are no barriers that can stop him from conversing in the universal language of dance and that is why all sound comes from him. Through this shloka, the existence of Lord Shiva is immortalised by his being, transcending space as well as time. Such is his magnified presence that we bow to him in reverence. His ornaments are none other than the moon and stars, celestial objects of space which we can only see and not even reach. His speech embodies all languages known to mankind and even all sounds that man has and could ever hear. Here Shiva is depicted as the Omnipotent Lord of dance whose body or movements cover everything that is the space around us and beyond that. Hence, the above shloka means … We bow to that Lord Shiva, whose body is the whole Universe, whose speech is the entire world’s languages and whose ornaments are the moon stars etc. Let us simply understand the meaning of this shloka word by word before going onto its deeper meaning. The famous Dhyaan Shloka in Praise if Lord Shiva, the Lord of Dance is: Today we try to understand an often played Shloka in praise of Shiva, the Lord of Dance. As such there are many items dedicated to Lord Shiva, be it as a Kautubh, a Varnam or a Padam. In the Bharatnatyam dance form there exists a rich tradition of devotional pieces in praise of many God and Goddesses of the Hindu religion and mythology.
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