However, this week (like so much of Jazz) one of the star libraries breaks many of these rules! I also focus on the sound of the acoustic in which the samples are recorded, as they give the sound it’s character. I look for usability, great sounding recordings, flexibility of sound and how easily my computer will cope with the strains of running the sound library in question. If you’ve followed the series you’ve probably seen the regular disclaimer I’ve made about the important points to look for in a sample library, but just in case you’re late to the party: It’s an area that is not often explored as there aren’t nearly as many options for the budding jazz arranger / writer, but I want to share with you the jazz libraries I love and why! This week in my series on my favourite orchestral sample libraries we are going to take a swinging side-step into the world of Jazz and Big Band sample libraries.
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